Tag Archive: teeth


It comes on slowly, creeping up like crackling frost fingers blooming in slow motion across a windowpane. Just a few careful skeletal fronds at first, adding a pleasant accent to the view outside. White dancing patterns frame the bare branches of the trees outside, just barely brushing against the depth of the field and woods disappearing over the hill. Moonlight makes those fingers glow, and lures you into believing that they’re an addition, not a mask.

The hours pass. The fingers curl around more and more of the glass, deliberately and unstoppably greedy. They begin to caress the larger branches, crawling up and over the grass stubble at the bottom of the window, a measured crackle that whispers “mine, mine, mine” as it encroaches. The clear glass in the center gets smaller and smaller, all the fringes being nibbled away one “mine” at a time.

As the fingernail sliver of moon rises over the ridgeline, there’s more and more hard silver glitter making the whole outside world look different – ethereal, unreal and hyperreal, and all of it covered in “mine, mine, mine.” After a while, it’s easy to hear the things you can no longer see, because they’re all joining in the whispers of possession. It’s a rising susurration of desire and ownership. It claims as it clutches, and it throttles as it loves.

It’s beautiful, still. It will always be beautiful, even as it strangles. It is a thrilling, fascinating death.

You would never know anything had ever been any other way, coming in when the window is all covered over with greedy beautiful fingers and fronds. The only thing to be seen is the glow of the moon – you would never know there is a field out there, and woods, and a ridge. The only thing left is the glow, refracting off the prisms of clutching frost fingers, making shards and slivers of what used to be a lush, warm landscape.

It’s beautiful. It’s fascinating. It’s death, one “mine” at a time.

It bears no resemblance to what it was, what it could be. In the fallow season, the ice changes everything, even how the land breathes underneath its cold mask. It kills as it hides. It destroys an inch at a time, and it doesn’t understand how to regret the destruction it wreaks.

Eventually, the fronds and fractals will cover even the moon’s glow. Watch long enough, and you can see it move. It’s a beautiful death, fascinating even as it cloaks.

You will never know which was the first inch, where the first “mine” was whispered, hungry in the silver glow. If you’re very, very lucky, you may be able to see which one was the last.

Bad girl’s death

“Don’t I rate a bad girl’s death?” – Chuck Wendig, Mockingbird

It’s cold, but at least the wind is dry.  Better than the wet nights, at least.  The wind cuts and moans, but it doesn’t suck the heat out of you as bad as sleet does.  It’s an unthinking mercy from nature.

Doorways are good.  They cut the wind down on three sides, and if they’re deep enough, all that’s left is a little skirl of breeze that doesn’t have the strength to bite by the time it gets to you.  Doorways are a place that’s almost inside, but usually not inside enough that anybody will bother to throw you out, if you’re careful about the doorway you pick.

Almost inside.  If you’re lucky, there will be glass all the way down the door, and you can push up against it and get a little trickle of heat out from the world that is really inside.  Inside seems like a foreign country now; one that requires passports and documents in languages you don’t understand, on paper you’ve never seen.  “Inside” is like “safe” – both of them are words that have a meaning, just not one that applies to you.  Option E, none of the above, because it just flat doesn’t exist for people like you are now.

Have to be careful which doorway you pick, though.  Nobody wants you messing up their porch, maybe doing something they wouldn’t approve of near their warm, safe insideness.  Getting chased off means losing heat, losing energy, losing a little more of things you don’t know if you’ll be able to replace.  Sometimes it means worse things.  Words like knives, blows that burn up more energy, more heat, more life.  Bleeding you out by making you expose yourself to air that hasn’t already been warmed by your body or by the door.

Tiredness is a poison and a warning.  It’s meant to make you seek shelter, seek food, so that the body can replenish itself.  Being tired and cold is supposed to tell you to warm up and get rest and fuel.  After a certain point, all it tells you is that you’ve failed again.  Failed to get inside.  Failed to get food.  Failed and failed and failed at looking enough like a good girl to make it through the door.

Some nights the failure is a frustration, an irritation, an inconvenience.  But if the failure goes on long enough, it gets dangerous.  Failure begets failure; if you can’t eat, can’t get warm, you look like a bad girl.  Too skinny, too ragged, too wild.  Then it gets easier and easier to fail, and you get closer and closer to failing forever.

It’s your own fault, you know.  If you’d just been a good girl, you wouldn’t have to curl up in doorways, scrounging heat and hoping to steal enough to get by.  Enough what?  Enough anything.  Anything that can be food or can be traded for it.  Food and warmth become your only goals, if the failure goes on long enough.  Anything that will stop the feeling of bleeding out through your skin.  Anything that will stop the gnawing inside, keep you from thinking even for a moment about how close you are to running out of energy completely.

If you’d just been able to figure out how to be a good girl, you wouldn’t have to go through any of this.  But you weren’t smart enough, weren’t fast enough, weren’t good enough even to pretend to be good.  Now you never will be.  Maybe next time you’ll remember to listen, to be obedient, to be pleasing.  Except for you, there is no next time.

There’s only the doorway, and a bad girl’s death.  Drawn up, curled up, hoarding your energy and trying to steal more, right until the very end.

Only bad girls steal.  That’s why you’re caught, almost inside and never safe.

It’s a bad girl’s death, and it’s all yours.

“They’re afraid of rumors and tall tales.  And I let them be afraid.  It makes my job easier.”  – Richard Kadrey, Butcher Bird

“We wear the mask that grins and lies, / It hides our cheeks and shades our eyes” – Paul Lawrence Dunbar, We Wear the Mask

 

When I look in the mirror, I flinch.

I should never have put it on.

This is all my own fault.  I should never have put it on, because now it won’t come off.

All I wanted was to be strong, and to be scary, just so I could get them to leave me alone for a minute.  And now it won’t come off.  I’ve tried everything I can think of, and I don’t know how it stays on.  Trying to take it off hurts, now, and feels like trying to pull off my own face.

But my face doesn’t look like this.  Please, don’t let this be what my face looks like.  I can’t be this… this thing I see, now.  It was only supposed to be for a minute.

I can’t live like this.  This can’t be who I’ve turned into, over one stupid decision.  Nothing that split second can be permanent.  That’s just not fair.  I can’t have turned into something like this, just from that one second’s fear and anger and shame.  One decision can’t make me a different person.  It just can’t.

But, I mean…

It’s not that bad, not really.  I can get used to it, if I give it a little while.  And it sure as shit does what I wanted it to do.  It makes them leave me alone.  It makes them leave me right the hell alone.

There are advantages to a face that makes people flinch, even if one of those people is me.

Who am I to turn down something that useful?  I mean, really, this whole thing has done me a favor.  I can be anything I want to be under here, and nobody will be able to tell the difference.  All they’ll see is this new face, and they’ll be afraid.

Well, let them be afraid.  They ought to be.

This might be the best stupid decision I ever made.  I hope it never comes off.  Let them be afraid.  Everybody knows monsters don’t get lonely.

Let me never be complete.

Let me never be compliant.

Let me never be content.

 

Let me never be a person, whole and finished, who is happy to be whole and finished.  Let my jagged edges scrape, and my unfinished margins have scribbles in all kinds of tools.  Let my footnotes have footnotes, and let my footnotes’ footnotes go out and drink in bars and bring back in-line citations that have no manners and wreck all the previous pagination and fuck the formatting until it cries and goes running for a new editor.

Let me never say “Enough!” because I am afraid I cannot take more.  Let me never run from my boundaries before I run face-first into them.  Let me never be satisfied with my limits.  Let my fears be challenges, adversaries to face with a hipshot grin and a sharp word, a sharp point, a sharp edge.  Let me never be held down, held back, held up or held over by anything I can drag into the light and eat, one bloody and satisfying bite at a time.

Let me never fall down, fall back, fall out or fall over when it is time to stand up.  Let me never put convenience before principle.  Let me never fail by refusing to commit.  Let me never excuse my own failure with “I tried.”  Let me never accept the failures of others quietly, when they limit me.  Let me never be tired enough to stop fighting.  Let me never give up being myself, fiercely and fabulously.  Let me never sell myself short.  Let me never keep myself from being.  Let me never slide into mediocrity.

Let me never be complete.

Let me never be compliant.

Let me never be content.

Let me never forget that I will fail at all of these things, time and time again, and that is no excuse to stop.

The taste of blood

“There were so many things I wanted to say.  Things like Thank you, or even, I love you.

Because I do.  We are lonely creatures, we hunters.  We have to love each other.  We are the only ones who understand, the only ones who will ever understand.”

Lilith Saintcrow, Angel Town

 

It’s just the taste of blood, that’s all.  A little trickle, down the back of my throat.  It wouldn’t be so bad, if I could stop it.  I could stop it, I guess, if I really put my mind to it.  I can do anything, if I put my mind to it just right.

I just can’t seem to do it, this time.

It trickles, and tickles, and burns in the back of my throat.

I hope it was worth it.  I hope she got away.

Neither one of us expected anybody to be there.  We expected to get in clean, get out clean, and get paid, that’s all.  It’s not so much, for us.  We’ve been a pair so long nobody would ever even think about seeing one of us without the other.

I wonder if she got out clean.  I hope so.

That taste burns so bad, and it won’t go away.

I knew something was wrong when the alarm went off.  She was supposed to have taken care of it, and nothing like that has gone wrong in a good long while now.  She’s so damn good at her job I’ve stopped even thinking about it.  She’s my partner, my good right hand.  She’s the only one I’d trust my back to.

But then there was the shrieking, and the lights blaring, and I wasn’t even close to the payload, much less to getting out.  I screamed to her, screamed hard and loud as I could.

Get out, I said.  Get out and get clean.  I’ll be right behind you.

I’ll be right behind you.

I guess I wasn’t, after all.

The sirens are getting closer, and they’re going to pack me off, because I can’t get this taste out of my mouth.  Lucky shot, from some damn automated system.  Should have seen it coming.  Should have been watching my back.

I hope she listened.  I hope she got out.

The only way tasting this is worth it is if she got out.

I mean, we’re partners.

“No one can make you feel inferior without your consent.” – Eleanor Roosevelt (common attribution – if someone has factual backup for a better one, I’d love to know)

Here’s the thing.  We’ve already stuck ourselves in a ghetto – look at how we all congregate to the kink-friendly, open sites, and many of us put a sharp delineation between kink life and real life.

Well, fuck that.

I am kinky, and queer, and a raging cunt, and probably one of the simultaneously funniest and most offensive/abrasive/irritating people you will ever meet.  I am myself, with no apologies for the content of my character, unless it’s something that I am trying to uphold and failing to achieve.

Remember, there is a difference between judging someone’s activities, and their person.  A first hand example, that will speak to many of you in the Florida area and other places:

I knew a girl.  She was a lovely girl, quite bright, and determined.  The thing holding her back was her addiction.  She got hooked on some very nasty shit, very early in life, and it became both a physical and psychological crutch.  There came a day when she needed to dose, badly.  She told me so, and asked me if I wanted to leave.  We were in a conversation, and sharing parts of ourselves that don’t see a lot of light.

What are you, crazy AND addicted? I asked.  (our relationship made this a joke, not an attack.)

No, she says, I just don’t know if you want to see me do this.  I don’t know what you’ll think of me afterward.

Let’s get this straight, says I.  You’re an addict, and you must have an external chemical dump in order to keep your brain in order.  Well, welcome to the club.  I’m a crazy motherfucker, and if I don’t keep my meds on schedule it can go bad in a hurry.  Just because you take your meds differently than I do, because you get them a different way, doesn’t make you less than me.  It doesn’t mean I don’t want to know you.  I already know you – seeing you going through your daily routine isn’t going to affect me any more than watching you brush your teeth.   It’s part of the ritual that gets you by.”

And as she got spoon and tab and needle ready, I told her the very short version of my own wrestle with that particular demon, which goes on to this day.

So I watched her shoot up, and she was afraid, even after, that I would think differently of her, or not want to be her friend/confidante.  “Listen,” I told her, putting all the sternness in my voice I could manage,” You were my friend before, and you’re my friend now.  If you tried to shoot me up, it’d be different, because you know I don’t want that.  But you’re a grownup, same as me, and I have no right to judge what you do with your own body, your own mind, your own life.  You know, rationally, that it’s not the best decision for you right now.  But it’s not my decision.

“All I can do is give you the best, most unbiased information I have, and hope that next time, maybe the consequences will be enough to help you make a healthier decision.  If and when you ask me for help, then I have right to try to convince you to do the right thing for yourself, and the people who still love you, unconditionally – those people you can ask to help, who see the junk and still can’t stop loving the girl underneath, even though they may have tried, time and again.  Until then, it flat fuckin behooves me to keep my nose here where it belongs, and my trap shut about things that are quite certainly not my damn business.  And anyone who wants to flap their gums about it learns the very first time not to do it around me.  End of story.”

And she laughed, and finished her process, and I watched over her while she cried with pain and relief,  vulnerable.  So agreeable, so malleable, so obedient while the drug coursed through her, carrying her on its broad white back to places I couldn’t and wouldn’t go with her, not anymore.

There are some things you just do for people you care about.  No cops, no hospitals, no sentencing them to incarceration in a system with too few staff, too many inmates, and no time to try and help, just to keep the arrest record looking right, and the comfortable people’s happiness level just above the place where she might be able to apply for a real job, with real hours and steady pay.  And, no need to look over her shoulder every time a car slowed on her block.  And I wrote her a letter.

“You may or may not read this, but I can hope.  Following is a list of little shit, baby steps that helped me try to climb a little way out of where you are.  You’re unhappy with where you are – the first thing, the only important thing to remember is that you, and the people you love, deserve the best of you.  The worst is inside that needle, and we both know how bad it is and how good it feels.  This is my contact info.  When you’re ready to try one of the other roads, let me know.  I will always be here for you.  I love you, little sister, and all I want is to show you what I’ve learned, without having to go through it all the hard way. I love BOTH the person you are, and the magnificent star you may become.  No matter what happens, you are loved.”

I do things that a lot of you find bewildering, unpredictable, or downright offensive.  I’m not sorry.  I don’t ask you to participate with me, where you are not comfortable.  I refuse to feel culpable for your emotional state anymore.  You do not have the privilege to shame me.

So I say this: Be not ashamed of who you are, who you want, who you love.  Be not ashamed of what you want or don’t want, what you don’t know yet whether or not that you want at all, or maybe sometime.  You get what I mean.

Do not give power to the people who would make you less than you are, you beautiful and complex human being.  Do not cut off your arms and legs so that you’ll fit neatly in their comfort boxes.  They aren’t worth it, because somewhere there is a person who wants all of you, intact, so that they can frolic within without about around between and inside the whole person who is you.
And I say this to you, the makers of boxes: please, I beg you.  Stop cutting off the arms and legs and heads and hearts of the people I love, or wish I knew well enough to extend the hand of human love to.  I ask nicely, because you are people like me worthy of civility, and of a chance to change. Be aware, though; I will be here, and I will be watching.

But there’s a plus side to that, too.  You, the makers of boxes, are not evil, any more than I and my loved ones are.  You don’t know any better, because no one has shown you how to love someone who doesn’t fit in a box.

Here’s a dirty little secret: none of us fit in boxes.  You are cutting just as much off yourself as anyone else when you try to regiment the inherently entropic human experience.

Hold out your hand to me, and to us.  We love you, no matter where on the path you start, or which path(s) you choose.  There will be someone to take your hand.  Even if it’s not who you expected to be, not someone you want to partner with, accept the hand.  It leads into a bigger, brighter, more diverse world than you ever imagined.

Come play with us.  We have a fierce joy that we only want to share – no strings attached.  We want you with us, happy and free and fierce and loving.  Come talk with us, play with us, teach us, learn from us.  We will find love in similarities and differences, and together we will create something new from the still-blazing embers and fires of the old.

You are loved.  Every piece of you.  Whether you are a box-maker, a box-dweller, or a box-smasher, you are loved for every fallible inch of yourself.  Do us the favor, the kindness, the lovely joy of showing us who you are, so we can love you more deeply for the complex and fascinating creature that you are – or want to be, or might be, or desperately want not to be, or wish you could be but “know” you can’t.

You are loved.  Deeply, and without hesitation.  Every part of you, every strange fractal vision and equation, becoming more complex the more deeply you explore – all of you is loved.

Welcome home,
– Motley

(Post script and polite request: Please feel free to take any piece or the whole of this and link/like/love/dry-hump/repost with attributing links.  If you’d rather repost outside the walled garden, please do! An almost verbatim copy of the text can be found at my regular blog. https://motleymayhem.wordpress.com/2012/01/09/take=-pride-in-your-complexity If you patronize FL.com, I will be happy to provide a direct link via email or fmail.  Please, if you choose to do any of these things, link back to either here or FL.  If you can, I implore you, tell me what you ignored, what you hate, what you wouldn’t mind seeing more of.  If I don’t get feedback, I have no idea whether I’m doing any good, or just ranting in the dark, alone.)

Bare your teeth.

It’s Friday the 13th, O Best Beloved.  So today is homework day.

 

Go expose yourself to something that drives the beat under your skin.  Go listen to music, watch something, read something, taste something, smell something that raises your pulse and reminds you that you are a creature who can touch and change the world, in ways so big you never could have imagined them.  Remember that you are a deity living in a flexible skin, and find something that pushes and calls to the places in your brain that are certain of that fact.

 

Go find something that draws you out, so that you can be you, just as hard as you can go.  Saturate yourself with it.  Bathe and drown in it until the feeling of being invincible overtakes you, and then take that out into the world.

 

Go change something.  Go be the person you would never otherwise be, but wish you had grown into.  Go DO.  Bare your teeth and dare the world to stop you.

 

I will look forward to seeing what happens.  Godspeed, in the most literal sense of the word.  I am with you, and the you that you are afraid to be is loved.  Someone needs you to be that person.  Go be it.

Truly, a funny and fascinating thing, when looked at from the outside.  Watch:

 

The eyes glisten bright, sitting at the bar, ears open and brain doing its best to absorb information beyond the gibbering of memories so old and oft-polished that they have burnished down to a single, hard silver spike of fear.  This is the barrel, this the chamber, this the magazine.  Here are the catches and releases that will move slide and magazine.  These are the mechanics behind the physics – here’s how to project your intent out beyond the range of your arms and legs.

A constant, running commentary of terror, buried and ignored, but insistent on having enough of a voice to “give warning,” whatever that means.  It is a voice that doesn’t understand what is going on: it is reacting to events in the now as if they were the events of the then, and the actors the same as those who flicker around and around on the memory loop of the past.

“You’re getting in the wrong side of the car.  You can let him ride with you if you have to but why does he get to drive because what if you can’t get back to your car then what will you do.  Why is he paying don’t let him pay he’ll expect something.  Stop gaping someone will see that you don’t know what the hell to do.  Figure it out, stop letting him tell you, stop being dependent on him.  Why did you look away he has the weapons and you need to know what he’s doing all the time in case he surprises you so why are you wasting eyeball time reading the walls and the other people.  What is that thing that you are putting your hands on, that is a Bad Thing and we don’t like it and nothing good will come of you touching it, stop putting your hands on it no no stop no stop no no Bad stop!”

And then just one long wail, lost long ago to any kind of reason, just a formless howl of aversion and remembered pain.

So, for the first three squeezes, everything hurts.  It costs, ignoring that kind of voice.  If it didn’t cost people something to ignore it, they’d fail to learn from their past experiences. So it hurts, all the way down to feet planted in entirely the wrong stance for shooting.  After that, the wail is deafened in the controlled explosion of new experience, new ability, fresh tape to spool in place of at least one of the old ones.  Projectile intelligence, self-loaded and thrown into an acceleration of forced evolution and adaptation.

 

Fear is a funny thing.  A bit like fire.  Leave it to run, feed it whatever is handy, and it will eat everything it can before it runs into a boundaries made of things tough enough not to be eaten.  Corral it, control it, compress it, direct it – and throw yourself into the future with it, to see what’s on the other side.

Monster Enough.

What is Monster Enough?

That question started out as a rumination on how those of us who dream we are monsters are always afraid of not being Monster Enough.  We are pragmatists.  We know that no matter how good you are at your game, there is someone who is better, or faster, or just luckier today.  We bank not on being the best monster (because there is no best monster, o best beloved, only the monster who wins right now), but on being Monster Enough to win right now and to scare away all the need to win eventually.

When you ask it that way, what is Monster Enough, there is no real answer.  It is a hard question, I think, but not a true question.  It is a question for the place between childhood and realism where you can dream that all your fights will have a winner and a loser, that everything really is that simple.  Certainly, if you pick enough of that kind of fight, it seems like that’s the only thing that’s important.  But that blows away any chance of knowing Monster Enough.

Ask it another way:

Who is Monster Enough?
I am.  You are.  We are.

We are Monster Enough to make the people who love us feel safe in our arms.  We are Monster Enough to make the people who try to chain us tremble when they think of the word “reckoning.”  We are Monster Enough to be soft and good to cuddle, and Monster Enough to roar loudly in pain and fear at the dark.

My Monster Enough is big, and loud, and cuddly if you are nice.  She makes pancakes and knows how to sharpen a knife.  She dries tears on her fur and sings songs while her den falls asleep, and tends the fire and watches the dark outside the cave, just in case.  Monster Enough is not afraid of “going soft,” just because she loves.  Love makes her fiercer, stronger, more desperate.  Monster Enough knows that things which are too hard are brittle, and break easily.  Monster Enough is not afraid of being unready.  She knows that she was ready when children came, all unexpected, and that she was ready when danger came, all unannounced.  She does not have to plan to be ready – she just is.  She is Monster Enough.

My Monster Enough is not afraid to be weak sometimes, because being weak sometimes makes the strength she has stronger, more lasting, more tempered.  She is not afraid to nurture, because nurturing takes more strength than yelling, even if it is not as loud.  She does not need to prove anything, because she is already Monster Enough.

She and I are not the same, and may never be.  But she is someone I would be proud to grow up to be, and I am grateful to have met her.

Who is your Monster Enough?

Get up.

There are some stories, O Best Beloved, from which even the moon turns her face.  So tonight, as we sit here huddled around a fire that gives no warmth and no comfort, she hides herself from us in the clouds, because she knows that I will tell you a story that she does not want to hear.  She will not stop me, though, O my Best Beloved.  Even the moon knows that all stories must be told in the end, because every story has a name, and all names are true in some turning.

But remember: all storytellers are liars at heart.  There are three lies in this story, and this is one of them.

This is a story that is not mine, but one that I was told by the one who lived it, who whispered it in my ear when no one else would hear it, when the moon was dark and all was quiet in her hiddenness.  I was told so that it would be told to you, when she was hidden again, so that you could sift the truth from the lies and learn from the sifting.

This is the story I heard:

“The concrete was cold and hard on my face, but warm against my hip, where I was bleeding on it.  I liked the places where it was warm, because I couldn’t remember the last time I had been warm all over.  I was so hungry, and so tired, and I couldn’t remember the last time I had slept more than a couple of hours.  I just wanted to sleep.  I wanted to be warm, and I wanted to sleep.  That was all.  I wanted it so so so badly.

“She was laughing at me, purring her laugh, like a great cat that’s just heard a good joke.  ‘Get up,’ she says to me, laughing.  ‘You’re fine.  Get up.’

“I can’t, I tell her.  I’m so tired, and I’m so cold.  Please, can’t I just lay here for a minute and have a little sleep, and maybe a little something to eat?  I’ve tried to be so good for so long.  I’ve almost got it perfect.  Please, please, can’t I just go to sleep?  I promise I’ll do better when I wake up.

“She’s not laughing anymore.  She’s slapping that stupid stick against her boot, tapping it to make noise, looking at me, making her mad face.  ‘Get up,’ she says again.  ‘You’re not hurt.  You’re just lazy.  Get up.  If you want to rest, you have to work first.  So get up.  Now.’

“I can’t help it.  I start to cry.  Not out loud, because then she’ll be really mad, but the wet just wells up and leaks out of my eyes and onto the floor.  I try to push myself up on my strong arm, and it just shakes and drops me back down again.  I try pushing with my legs, and they just won’t work at all.  Nothing’s answering right anymore.  It’s so scary.  I’m trying so hard to be good, to do right, but it’s not working.  Nothing will work, and now she’s so mad.

“‘Well.  I see how it is then.’  She’s walking around me, tapping the stick on her boot some more, making that whap-whap-whap sound in the quiet.  ‘You told me you would do as I asked.  You told me you were worth the work.  I should have known you were lying.  I should have known you were just a girl all along.  We both know girls are too weak to be of any use.  When you can be bothered to get up, then get out.  I have no use for girls.’

“She put so much hate in that last word, so much contempt.  And she was wrong! I got so mad.  I’m not a girl.  I’m not weak.  I can do it.  I can do anything.  I. Am. NOT. A. Stupid. Weak. GIRL.

“It hurt, when the chain around my ankle tore into the skin, pulled on the bone.  I don’t remember getting up.  I don’t remember running at her, yelling.  But there I was, on my feet.  I am not a GIRL.  I am USEFUL.  I can WORK.  And I can GET UP, see? I am UP!

“Then she laughed again.  She was happy.  I was useful.  My blood was dripping down my leg from my hip, where she’d hit me before I’d fallen down, and it was going faster now, and I was out of breath.  But I got up.  That was what was important.  I had proved it.  I was not a girl.

“I got up.

“I got up.

“And so she loved me another day, and I got to stay another day, because I got up.

“That was a long time ago now.  I can’t change what happened.  There are a lot of days where I think it would have been better if I’d never met her.  A lot of days where I think it would have been better if I’d stayed down, or never been sent away.  But those days aren’t today.  And as long as those days aren’t today, I’m getting up for me, instead of her.  So that’s all right then, I guess.”

This is a story I wept to hear, and I weep to tell it to you, and the moon hides her face from us to hide her tears.  Put another log on the fire, O my Best Beloved.  All of us could use a little light, a little warmth, and a little comfort against the stories the moon hides her face from.

So join me in weeping, and help me lend a hand to those who would get up for themselves.  Even liars have hands, and every hand is useful.

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